MOOSE HITS NY TIMES EXTENDED BESTSELLER LIST!

As the snow flutters down here in Fogelsville today, we are reminded of the quaint seaside village of Cape Willington, Maine, setting of the national bestselling Candy Holliday mystery series.

Author B.B. Haywood just did it again with the latest in the series, TOWN IN A WILD MOOSE CHASE. The book hit the New York Times Mass Market Fiction Bestseller Extended list at #33!

This book is set in winter in Cape Willington--and trouble is about to walk right into Candy's life. First, town hermit Solomon Hatch stirs things up by claiming to have seen a dead body in the woods with a hatchet in its back. Then, a mysterious white moose starts appearing around town in the strangest of places...

Take a look at this book--it's a great winter read!

IT'S NOT JUST THE WRITING

Jon received an email yesterday from an author he'd turned down at the partial stage. Jon told me that while he admired the author's writing, the content was simply too dark and troubling for Jon's taste.
Jon explained this to the author when he sent his rejection letter.
Yesterday the author wrote back telling Jon that he'd been picked up by another agent. He thanked Jon for his comments and said that, rather than discouraging him, the rejection gave him hope that another agent might see things differently.
This is not an unusual story. We often pass on projects that don't fit our own personal tastes because it's very hard to get behind a book that we don't find personally compelling.
So, when you receive rejections from agents like us think of them as stepping stones to your goal. If your writing is splendid, if the topic is unique and your voice is driving, your book will find a champion.

TOWN IN A WILD MOOSE CHASE!

Our authors Rob and Beth Feeman (a.k.a. B.B. Haywood) just redesigned their website. The timing is great as the third book in their Berkley Prime Crime cozy mystery series, Town in a Wild Moose Chase, will be published next week.

If you liked the first two books, you'll love this saga of life in Cape Willington, Maine during the winter. Of course there is a dead body and a celebration and Candy and Doc Holliday. But this time there is also a mysterious moose and lots of other exciting features. The book is available everywhere!

Check out the website and read a chapter!

NEW YORK, NEW YORK

Next week I'm visiting NYC for the first time since October. I'm hoping to meet a few editors while I'm there.

I will be having lunch with the "PR Gals," cronies in the book publicity biz whom I've known / worked with forever. Three of us are still in the business, the fourth is "semi-retired." All of us are trying to figure out what the "new" book publishing model means for us.

One thing is for sure--there is a publishing revolution going on and we're all trying to keep up with the ever-changing tides.

TOWN IN A WILD MOOSE CHASE

Feeling hot and bothered this summer? Take a look at B.B. Haywood's new book, Town in a Wild Moose Chase. It should make your temperature drop. Candy Holliday and her friends are at it again in the third book in the Berkley Prime Crime series, this time during Cape Willington's winter carnival! The book will be published, appropriately, in the winter of 2012. Read it to see how a cozy is put together!

TALES FROM BEA & KUDOS TO KINDLE

I just spent two days cruising the BEA in New York City. One day as a publicist, the next as an agent. From what I can see the book is still alive and well--it's just morphing as I write this.

On my bus trip home from the city I sat next to a lovely young woman who was juggling her smart phone along with a Kindle. As she settled next to me she seemed to be having difficulties with the latter. We were just leaving the Lincoln Tunnel when she turned to me and said, "Please excuse me. I am not one of those people who talk on the phone all the time, but I do have to make this call."

I thanked her for her courtesy and told her that it was no problem. But, since I was practically sitting on her lap, I overheard every word of her conversation with the Help Desk at Kindle headquarters:

Oh, I hope you can help me! I just took my Kindle out of my bag and it's stuck. The screen isn't cracked, but there are black lines running through it and I can't turn it off or on......No, I didn't drop it. I'm right in the middle of this book and now I can't read it and I'm so devastated!...What? Oh, you will? When?....Oh, I can't believe it. You'll send me a replacement? Really? But, what about all my books?....You can load them onto the new one? Oh, my!....You'll have my new one shipped right now?....Of course. I'll pack the old one up and send it back as soon as the new one comes!...Thank you so much!

The young woman turned to me and said, "That's the BEST customer service I have every had! I'm positively addicted to my Kindle and they will replace it, no questions asked!"

"My husband gave me the Kindle for Christmas--a complete surprise! I didn't know if I would like it, but I tried it and fell in love. I've read 30 books since then. I work at home and have two little kids, so you know I'm a dedicated reader. But what will I read on the way home?"

I mentioned to her that my new Droid smart phone has a Kindle app. Her phone did not, but she was able to download it right then and there, access her account, and read the rest of her book on her smart phone. The book she was so desperate to finish? A Discovery of Witches. She finished it before I got off the bus 2 hours later and had already begun another.

So what does this tell us about the state of reading? I think it's an inspiring and hopeful story. People of all ages are still reading--books, e-books, audio books--they're even reading on their smart phones.

We still need authors and publishers are still important. The trick is to make sure authors get paid well for their work and don't become victims of the e-book revolution.

CAN SELF-PUBLISHED NOVELS BE SUCCESSFUL?

Last month Angela responded to our post about self-publishing and asked this perfectly reasonable question about the publicity side of our business.

Angela said...
I agree with Alissa that there is more than one way to get published. I also agree with Julie that the business is really subjective.People often recommend self-published books to me and don't even know the books are self-published. They could care less who the publisher is, they just want to read a good book. That being said, I think it's hard to put a good self-published book out there and be successful without the benefit of editors, readers, proofreaders, a marketing and PR team, and sales team. Kae, do you and Jon do PR for self-published novels? And if so, I'm curious if you have a different strategy for promoting self-published books.


Jon brought this question to my attention this morning and we spent some time discussing it. While we have worked with self-published authors in the past and continue to do so today, these are authors of nonfiction. Publicizing fiction is very difficult, even if the fiction is published by a standard publishing company. Fiction benefits from the distribution, advertising, marketing and sales efforts provided by large companies. But, other than sending out review copies, most publicity efforts for first novels are minimal. When a novelist gains a name and reputation, there is the opportunity for a much wider publicity campaign. That's why you see famous novelists on "Today" and "Oprah."

I would never advise an author to self-publish his or her fiction. (Unless, of course, the author is famous, lectures widely, has a built-in audience of potential buyers, and is already a veteran of countless media interviews.) Without the support a publishing company provides, it's next to impossible to get a fiction book out there in the numbers required to make an impact. Now, I am sure there are exceptions. Perhaps you are a successful self-published novelist or know someone who is. If so, please let us know. I'd love to hear how you did it and so would our readers, I'm sure.


Publicizing self-published non-fiction is a different matter. We've been very successful with our nonfiction self-published authors. Because these authors are experts in their fields, they have the option of selling their books when they do lectures and programs, on their websites, and online. These people have a "platform" (a built-in audience) and can use that audience to promote and sell their books. Typically we will send out review copies, schedule radio and television interviews, set up book signings and pursue online opportunities for our nonfiction authors. Our campaigns for self-published nonfiction authors are the same as for published authors and are limited only by budget constraints.

Bottom line is, publicity for ANY book, published or self-published is tougher than ever as media channels morph and shrink.

FOR WHOM DO YOU WRITE?

My friend Phyllis is an avid journal-writer. She has been keeping a journal for as long as I've known her and she's saved the day on a number of occasions. What year was it when we bought our house in the country? When did we all take that great trip to Bethany Beach? When did we take that long bicycle ride and get lost in the rain? Who gave us that recipe for "Oven Stew?"

I think of Phyllis as a domestic historian, the keeper of our families' combined memories. But, at the heart of it, Phyllis is not writing for me or for anyone else. She writes for herself and that's the real value of a journal.

But, if you are writing for publication, you are most certainly writing for others. If you still write for your own enjoyment that's fine. Just understand that if your mind is set that way you probably won't find a publisher.

Michael Cunningham, the author of The Hours, explored this topic beautifully in the Sunday Opinion section of October 3rd's New York Times. His article, "Found in Translation," is a must-read for would-be authors. I love his description of the students in his writing class:

"I teach writing, and one of the first questions I ask my students every semester is, who are you writing for? The answer, 9 times out of 10, is that they write for themselves. I tell them that I understand--that I go home every night, make an elaborate cake and eat it all by myself. By which I mean that cakes, and books, are meant to be presented to others. And further, that books (unlike cakes) are deep, elaborate interactions between writers and readers, albeit separated by time and space.

"I remind them, as well, that no one wants to read their stories. There are a lot of other stories out there, and by now, in the 21st centruy, there's been such an accumulation of literature that few of us will live long enough to read all the great stories and novels, never mind the pretty good ones...I should admit that when I was as young as my students are now, I too thought of myself as writing either for myself, for some ghostly ideal reader, or, at my most grandiose moments, for future generations. My work suffered as a result."

I hope you'll take a few minutes to read Cunningham's entire article. And next time you sit down to work on your book, remember your readers. Think about them and how you can best reach them. It's a good exercise and it will make you a better writer.

ARE TODAY'S BOOK PUBLISHERS LIKE GM?

Our reader "Julie" posted this message here today in reference to our recent post on Bowker's new service for authors. I appreciate the time and effort Julie dedicated to this post and I think she brings up valid points that resonate with many authors and others in the book world. I'm going to attempt to answer and/or comment on some of the points she makes.

Julie: I agree that this sounds like a way for this company to make money. However, as an unpublished author, I find it frustrating that a very small group of literary agents gets to decide which books are shown to publishers.

KT: Yes, Julie, there is a small pool of agents. But not all publishers require that you submit your work through an agent. I'm always lecturing authors to learn about the book publishing industry. One of the things you should investigate is the publishers who accept unagented submissions. You'll find them listed in references such as Jeff Herman's Guide to Book Publishers, Editors, & Literary Agents. You can also find this information on publishers' websites.

Julie: I’ve been sending queries out for at least 12 years. Over that time, I’ve been struck by what a small pool of agents we have and how many of them are based out one city.

KT: Ahem!! Not ALL literary agents are based in Fogelsville!

Julie: I can’t count the number of times that an agent has told me that he or she likes my work but doesn’t know how to market me. I understand why they don’t want to waste time on a writer who may not sell, but I wonder why we all assume that this small group of agents has their finger on the pulse of American readers more than anyone else.

KT: It's not the agents' fingers you should worry about--it's the publishers' fingers or other items they use to judge what Americans and others want to read. Agents are at the mercy of publishers. I just had my heart broken again last week when an editor at a major house emailed me that she'd fallen in love with one of our books and was taking it to the editorial board. She called a week later to report that the board said the author was "too close to the topic." They turned it down. I still don't understand why, but it illustrates that even when an agent is high on a book, and even when an editor shares our enthusiasm, we have to deal with editorial boards at publishers who must SELL, SELL, SELL. (Book publishing, like any other business, MUST make money to survive.) The editors who make these decisions are just human beings like you and me and, as far as I can tell, they make their decisions based mostly on what they've sold in the past. They are not perfect and they make mistakes and they take very few risks these days. An agent must temper his or her own feelings about a book with the reality of the marketplace.

Julie: It reminds me of how GMC and Chrysler keep building gas guzzlers because they think Americans want big cars. (I don’t want a big car. I want a fuel efficient car and I don’t think I’m alone, but I don’t own a car company).

KT: I don't want a big car either, Julie, but those guys are all morons, IMHO. We've all seen what happened to these companies.

Julie: I think that self-publishing to Kindle and other sites will democratize the publishing world and I’ll be interested to see if it alters the kind of books that become popular in the future.

KT: I would agree with you EXCEPT that most self-published books are simply not that good. There, I've said it. Although the book publishing system in place is inefficient, often unfair, unimaginative, and cumbersome, it still provides a structure for separating the wheat from the chaff. (Love that figure of speech--my mom used it all the time, but then she was born in 1911.)

Back to the point--self-published books do not have the benefit of: tough readers and editors who make them sing; proof readers to catch grammatical errors and misspellings; marketing and publicity teams who will get the word out about them; sales forces who will push them out to major retailers, Amazon and others. Is that to say a self-published book will never rise to the standards of The Great Gatsby or The Prince of Tides? No. It could happen. Maybe someday it will. But...don't hold your breath.

Agents and editors, today's "gatekeepers" for mainstream book publishing, are there for a reason. They love books. They've educated themselves about literature and most of them have developed a good instinct for identifying good writing. I believe they still have an important role to play in the publishing world. But time will tell. Self-publishing is here to stay and is a powerful force. Self-publishing and traditional publishing will operate on parallel tracks in the foreseeable future. It will be interesting to see how it all plays out.

What do the rest of you think? Will self-publishing eclipse the traditional model or is it more likely that the two will meet the needs of different kinds of authors and books?

MORE ON SELF-PUBLISHING VS TRADITIONAL

I've been following a fascinating discussion on the "New Authors Need Marketing Ideas" group at LinkedIn over the past few days. A new author posed a question about which self-publishers were most attractive to traditional publishers. It may not have been right way to pose this question, but it certainly brought opinions out of the woodwork!

The best thing I've gotten out of the discussion thus far is a link to a HuffPost article, "To Self-Publish or Not" by Boyd Morrison. Mr. Morrison gives one of the most complete and well-stated overviews of this topic I've ever read. I strongly recommend it!

Enjoying a quiet Sunday, listening to old jazz music. Happy Labor Day!

ARE YOU WRITING IN A VACUUM LIKE HENRY DARGER?

An Open Response to Redleg

"You may well have passed on the next Henry Darger," said Redleg in response to yesterday's post.

Jon immediately knew who Henry Darger was; I did not and did some Googling to find out. Darger was a self-taught artist who lived in relative isolation and plastered the walls of his apartment with wild and beautiful, if controversial, art. The amazing works were discovered after Darger's death.

We get very cocky about our wired world and tend to discount any would-be authors who cannot or will not keep up with the current technology. Perhaps we do it at risk of passing over a literary Darger. I appreciate Redleg's take on this and will keep it in mind.

However, I don't think the call I received was a budding Darger. Sometimes people are just ill-informed and even lazy. We can't take the time required to tease them out of their ignorance and teach them how to write. There are ample resources available for ANYONE to learn this business. All it takes is some initiative.

I'm sure there are brilliant writers out there toiling in isolation and we and the entire publishing world will never hear about them because they don't use the Internet and they don't immerse themselves in the "proper" way to secure an agent and publisher. Like Darger, they pursue their craft out of passion, not in order to be published. We can hope that these writers will be discovered by someone who recognizes their talent. If not, their work may simply die when they do.

Thanks, Redleg, for reminding us that this work is not all slick and digitized. Fine writing is fine writing, no matter how it's done.

READERS RESPOND TO "PROCESS" QUESTION

This post dedicated to Norton, 8-20-1995--5-6-2010

We seemed to touch a chord with readers with our last post on the writing process. We received several thoughtful responses, some of which we'll feature here.

Jon and I just registered for BEA (Book Expo America) which takes place this year from May 25 through 27. BEA, like book publishing itself, is in a state of flux--it ain't the show it used to be. But we'll go because we have to go. We need to see it, feel it, and get a sense of the publishing vibe outside our Fogelsville office. It's still a great opportunity to meet with non-New York City publishers and we always run into folks we don't see often enough. I'm going on Wednesday, Jon on Thursday, taking advantage of the one-day option provided by BEA this year.

I'll leave BEA Wednesday afternoon and head over to Newark International Airport to take a flight out to the Northwest. One of our authors has been invited to a celebrity birthday party and she invited me to join her. Bonus is, I'll get to visit with our middle son Joel and his wife in Portland, OR. Jon will hold down the fort in my absence.

Busy morning with lots of queries and a few exciting possibilities. Now, on to your comments about the writing process.

Here's what Jake Seliger has to say:

NLA: Do you write every day?

JS:Yes.

NLA: Do you write at the same time every day?

JS: No, although I tend to write in the morning or late evening. Something about the afternoon puts me off.

NLA: How much time do you devote to your craft?

JS: A lot, especially if grad school in English lit counts as time spent on craft.

NLA: How do you stay on track?

JS: With a pair of rails and a great steam engine pulling me. Anyway, when I'm working on first drafts I shoot for a thousand words a day and usually hit 500 – 1,000; most of the time I read what I did the day before first, fix that, and then go on. Once done, I go back through a printout, then make those changes on screen, then give it to friends, then make their changes, then let it sit, then go through it one more time.Then I think "this time will be different," and it usually is, slightly, and then it's not.

April 29, 2010 12:45 PM

Thanks, Jake! I love your spirit, your organization, your attitude and sense of humor.

A sad post script: Chief Office Cat, literary friend and champion shredder, Norton died peacefully last Thursday. He is survived by his brother Wylie. Jon and I miss him mightily.

WHAT'S YOUR WRITING "PROCESS"?

I was talking to an author the other day about his writing schedule. This man is a published novelist who hopes to support himself with his fiction one day. His advances and royalties are a nice source of income, but not enough to support him and his family. In order to say afloat and pay the bills, he has to "work" for a living, just like the rest of us. He carves out time to write in the evening, just after dinner and he writes for at least an hour every day.

Maybe you also have to work for a living. Or, perhaps you are fortunate enough to have another source of income that allows you to write full or part-time. Whatever your circumstance, I'm interested in how you structure your writing life. While some authors proclaim that they only write when the muse insists, it seems like many successful authors are more disciplined.

What is your process? Do you write every day? Do you write at the same time every day? How much time do you devote to your craft? How do you stay on track?

I'd like to start a discussion on this topic because it's one we tend to underplay. How do you approach the craft of writing? Please post here and we'll make sure your comments are read by all.

DO PUBLISHERS LIKE "ON DEMAND" BOOKS?

On March 19 “Mystery Writer” sent us the following comment:

“I have written a cozy mystery and am trying to get an agent with no luck so far. The ‘On Demand’ publishers are calling me and tell me that most publishers expect authors to publish ‘on demand’ before they will consider them. Is this true? What do other people think?”

It’s an interesting question and one worth discussing. I’d like to know which on demand publishers are saying these things. (I make the assumption that you all understand that “on demand” publishers charge the author for their services and the finished books and the price can be high.) My experience is that self-publishing (the old word for on demand) can work against a new author. Many agents and publishers do not want a book that has already been “out there,” preferring to work with new material. Having said that, the first two non-fiction books I sold had been self-published prior to their sales to big New York houses. Both of these authors were high-profile and media-savvy and their self-published books were selling very well.

So there is no right or wrong answer to this question. I have a feeling though, that many new fiction authors self-publish or go with on demand publishers for the wrong reasons. They’ve worked long and hard to finish their novel only to find that their work has just begun. It’s often harder to land an agent and a publisher than it is to write a book. So authors give in to the “instant gratification” and lure of the on demand publishers. “Hey, kid. Come with us. You’ll have a real book with your name on the cover in no time! You’ll be an AUTHOR!”

The self-publishing option works better for some non-fiction authors who often are building a platform and can sell their books when they travel the country, teach courses or give presentations. Their self-published book can help elevate their status and can attract the attention of agents and publishers who are looking for a non-fiction author with a large following.

But “Mystery Writer” is the author of a fictional work. I’d advise her to concentrate on making her book as good as it can possibly be. Hire an editor if you can or have a trusted literary friend give you feedback. Join a writer’s group and go to writers conferences where pros will often give you good advice. When your work is as good as you can get it, begin working on your query. Investigate blogs and websites to discover what works best in a mystery query. Then try again. After all, if you can’t find an agent you can always take the on demand bus at a later date. What do you all think?

WILL THE REAL B.B. HAYWOOD STEP FORWARD? An Interview with Bob & Beth Feeman

Today we're celebrating Town in a Blueberry Jam--again!

It's such a great feeling when one of our books becomes a reality. I'm tickled with Berkley/Prime Crime's treatment of Town in a Blueberry Jam, especially the fact that it's so well distributed. Let me know if you see it in your local bookstore?

As promised, I vowed to reveal a surprise about the author, B.B. Haywood. Mr./Ms. Haywood is not one, but two authors--Bob and Beth Feeman. Here's what they have to say about the publication of their new book:

Q: Why do you use a pen name?
A: We get asked this all the time. We knew fairly early on we didn’t want to use our real names. There are a number of reasons why, but the simplest explanation is that our real last name is sometimes difficult for people to remember, and it gets misspelled a lot, so we thought we would create a name that’s easier to remember. Plus, since we’re co-authors, it’s shorter to use a single name rather than two. We hope the name we chose--B.B. Haywood--sticks in people's minds and they'll remember it when they see our future books on the shelf.

Q: Why did you set the book in Maine?
A: We’ve lived in Maine for almost a decade, and it’s a beautiful area of the country. It’s truly iconic in many ways, with the lobsters, lighthouses, vast blueberry barrens, and an amazing rocky coast. People come from all over the country and the world to visit Maine. So it seemed like a setting with a wide appeal. And there’s nothing quite like a New England village for a murder mystery.

Q: How difficult was it to create a mythical town?
A: It was actually surprisingly easy. Very early in the process, we debated whether to use an actual town or a fictional one. Novelist Sarah Graves, for instance, uses the actual town of Eastport, Maine, as the setting for her mystery novels. We wanted to do something different. With a fictional town, we could do whatever we wanted to make it fit the needs of the story. We designed it. We populated it. We molded it any way we wanted. We have, however, borrowed pieces of many actual New England villages in creating our fictional one. It’s based, in part, on Maine villages like Boothbay Harbor and Blue Hill. Even the name is a hybrid of three New England towns: Cape Elizabeth in Maine, Williamstown in Massachusetts, and Hopkinton in New Hampshire. Beth melded the three names together and came up with the name Cape Willington.

Q: How did you settle on the Candy Holliday character? Is she a compilation of people you know or a true "fictional" character?
A: Candy is a completely original character, and we have to say, over the course of writing the first book, and working now on the second one, we’ve both come to really like her. We think of her as a real person, and we care about her a lot. We knew the sort of person we wanted to create—an intelligent, hard-working heroine with a lot of common sense, and a certain amount of bravery. Candy’s very brave at times, which surprises us. The character who really surprises us, though, is Maggie Tremont, Candy’s best friend and our comic relief. Maggie literally came out of nowhere, and says things we never planned for her to say. She just speaks her mind, and we write it down. That’s why we love her. She’s a lot of fun to write.

Q: What's the most challenging aspect to writing this kind of book? Plot? Dialogue? Character development?
A: Believe it or not, the hardest part is continuity. Writing a book is a process stretched over days, weeks, months, and years. It may take days just to write few pages, and weeks to write two or three chapters. So when you’re writing something today, you have to remember what you wrote last week, or last year, and sometimes it can get tricky. Just getting the color of everyone’s eyes right, so it’s consistent throughout the book, can be a problem. Names get spelled different ways. Someone may pick something up in one scene, and you have to remember that person has that item in a future scene. It’s tricky. We have a complete character list now, and we’re trying to note various character traits as we write them so we’ll have them for future reference.

Q: There is another book in the Candy Holliday series. Can you give us a hint about the new book? Have you finished it yet?
A: We’re working on it right now, and it’s actually about two-thirds finished. It’s due to the publisher in March 2010, and will appear in bookstores in February 2011. It’s called TOWN IN A LOBSTER STEW, and involves an award-winning lobster stew recipe with a secret ingredient in it. As the book opens, it’s in the possession of Wilma Mae Wendell, one of Cape Willington’s senior citizens. But when the recipe is stolen from Wilma Mae’s house on the eve of the annual Lobster Stew Cook-off, she asks Candy Holliday to find out who’s behind the theft. What Candy doesn’t know is that there are people in town who want that recipe so bad, they’re willing to kill for it. In this novel, we’ll introduce Candy’s arch nemesis, as well as a number of new characters, and of course we’ll make sure many characters from the first book make a return appearance.

Q: How would you advise other beginning writers?
A: First, don’t give up. It’s tempting at times. We’ve been working at this for two decades, and there are many times we gave up. But the next day we started again. Just work on improving your craft, and write the very best story you can write. It also helps to keep an eye on the shelves in bookstores, so you know what’s currently popular. Mysteries are always popular, which is good for us.

Everyone jokes about the little devil and angel

on their shoulders; my problem is that I actually

have them.--Nicole (First Line Contest)

AND THE WINNER OF THE "FIRST LINES" CONTEST IS....

Jack Roberts (pen name). His real name is Scott Bryan.

Our Random Integer Generator picked number 14, the number of Jack's entry:

"I’m not supposed to get cold. Eliza shrank into the dark corner of her living room. Her immortal body was free from disease and uncomfortable temperatures, but she felt colder every time the horrible sounds continued."

Now, technically, Jack stretched the rules a bit by using not one sentence, but three. But who's counting? The Random Integer Generator rules, and Jack is the winner this time. Here's a bit more about Jack:

"I'm a husband, father of four and full time CAD drafter. On the side I'm striving to become a full time writer. I've written two books. The first one, Annabelle and Roland; The Night Children, is the one I'm trying to find representation for. The other one is the sequel. I'm currently writing a different novel called Myths. Night Children follows the adventures of Annabelle and Roland as they learn to be vampires while surviving the Vampire Lord's attempts to kill them. Jeff Herman's book will be a considerable resource in my search for representation. Again, thank you very much."

Our first "Blogtest" was great fun for us and I hope you all enjoyed it.

And keep reading the blog where we'll feature some of our favorites in the first "First Line" contest!

YOU COULD WIN A FREE BOOK TO MAKE YOU A BETTER (MAYBE PUBLISHED) WRITER!

Sourcebooks was kind enough to send us a copy of Jeff Herman's Guide to Book Publishers, Editors & Literary Agents 2010. Every writer needs this book--at a cover price of $29.99, it will make an invaluable addition to your library. And now, it can be yours for free!!

As I mentioned yesterday, we purchased the book last fall, so.....we have a copy to give away to one of you lucky readers! All you have to do is answer the following question and you will be registered to win the book. (A random number generator will make the final decision.)

Here's the question: Pretend you are the author of the hottest new novel of the year. What is this novel's first line?

So let yourself go--your "novel" can be about anyone or anything. Only one entry can win the book, but the most interesting "first lines" will be featured in this blog. Deadline for submissions is Friday, January 22. Post your entry in our "comments section."

WHAT ELSE DO LITERARY AGENTS DO?

The Chicago-ailing-dad saga continues. We're feeling much relief today as Jon's sister stepped into the fray. She'll fly to Chicago tomorrow and spend two weeks there. Jon came home last week, sick and exhausted. He picked up some kind of bug while traveling and is just now feeling like he can work. He has a lot of catching up to do with partials and manuscripts and now can concentrate on that, knowing his parents are in good hands.

I spent almost an hour on the phone yesterday with one of our agency authors. His first book in a three-book series will be published next winter. The author has this series is well in hand and he is in the process of writing book number II. But, as he works away at this commitment, he wanted to talk about his writing career in general. This was an exciting and positive conversation on so many levels. This author is bright and dedicated and wants to make book writing his full-time career. At this point he's supporting himself and his family by writing--magazine articles, web writing, etc. His book deal with a large publisher adds to that income, but now the goal is, in his words, "a BIG book."

He had several ideas in mind, but before fleshing them out he needed to talk about them. Two of them are real winners and one just blew me away. So, like a couple of kids planning a summer performance ("I know--let's put on a SHOW!"), we talked about his great plot idea and how to make his protagonist come alive. I love this kind of collaboration because it allows my creative, frustrated author side to shine. By the time we closed our discussion both of us were bouncing off the walls with the excitement of this new project.

As a new literary agent, this was a unique experience for me and I found that I truly love this part of our work. I'm delighted that he instigated this collaboration and I look forward to helping to guide his work in months and years to come.

Happy August everyone!

INDEPENDENCE DAY

"Fireworks, who needs stinking fireworks?"

By the look of my inbox, lots of folks have taken off for the holiday weekend. (I emailed a press release yesterday to 200 health editors at newspapers and 20 bounced back as "out of the office.") We're not going anywhere this weekend, preferring to use the time here. Jon's got a stack of partials and manuscripts to read and so do I.

OK, even though Norton opposes it, we will go to a nearby park for the fabulous fireworks display brought to us each year by the local mortician. Yep, that's right, the mortician. Think about it--it's great PR! Blast off with us...before you blast off for good!!

Since it's the start of the holiday weekend, I have some random thoughts to air, some book-related, some not.

• On the query front--another "abused woman, greatest composer." When will it end?
• We've always asked for partials and manuscripts in hard-copy format. We're beginning to change that policy. I'm asking for manuscripts to be sent electronically and partials will follow soon, I expect. Jon is wedded to his hard copies, and he's not unlike a large ocean liner, difficult to turn around. But eventually, he too will be reading online I suspect.
• I want to get an electronic reader that allows me to load in partials and manuscripts. Any suggestions? Does Kindle do this?
• As I've mentioned before, I read constantly--not just partials and manuscripts, but books. I'm reading Hotel Paradise by Martha Grimes now. It was published over 10 years ago, but it is worth your time if you like cozies. Grimes is so brilliant in relating back story.
• I'm also reading an advance copy of a book I picked up at BEA called Friend of the Family, published by Algonquin. The author writes with a precision and flair that keeps me turning pages. She's not Jodi Picoult, but she's every bit as good. I'll give you her name in another post.
• Jon's off to Chicago next week. I'll be busier than ever here.
• When Jon returns we'll gear up for 3 days of grandsons Rob (age 4) and Max (age almost 2) while their parents go camping.

Happy Fourth of July everyone! Take a break from your writing. Eat a hot dog. ENJOY YOURSELVES!

WHAT IS GREAT SCIENCE FICTION?

Jon is grumbling and wringing his hands tonight. He just got another publisher rejection for his dark steampunk novel entitled The Nightmare Sun. Jon is a real sci-fi head, reared on Isaac Asimov, Ray Bradbury and other greats. In his opinion, The Nightmare Sun is a real contender. But he's been rejected several times at houses we thought were shoo-ins. What to do?

The Nightmare Sun has it all--dark, gritty action, a tough and harrowing plot-line, likable protagonist, monsters, and robots. What more could you want? Apparently our editor friends want something else, though none have been able to articulate just what that "something" is. 'Tis a puzzlement! I guess we feel just like you do when agent after agent tells you your work is not for them.

So, like you, we persevere. I still believe that there's an agent and a publisher out there for every good book. It's up to you and to us to find them!

Jon's next challenge is another sci-fi, this one a space opera entitled Savannah Rane. I love this book and its kick-ass female protagonist who raises cane and battles really skanky enemies. I can see the jacket now and eeeeww the slithery thing bedevils Savannah and defies description. He (she, it) makes Jabba the Hut look like a teddy bear.

Tomorrow's another day--perhaps it's the day we'll find homes for The Nightmare Sun and Savannah Rane.